ON ART AND LIFE RUSKIN J. Księgarnia

On Art and Life

John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass-production art. of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.

John Ruskin was born in London in 1819, of Scottish descent. His father was a succesful wine-merchant and art lover; his mother a strict Evangelical whose religious instruction affected him deeply. He entered Christ Church, Oxford, in 1836 and graduated in 1842. In 1843, the first of the five volumes of Modern Painters was published, a work written in defense of J.M.W. Turner. The other volumes survey the main traditions of European painting from Giotto to the nineteenth century. Ruskin was also passionately interested in Gothic architecture and published two books on the subject before the completion of Modern Painters: The Seven Lamps of Architecture (1849) and the three volumes of The Stones of Venice in 1851 and 1853. He married Effie Gray in 1848, but seven years later the marriage was annulled on grounds of non-consummation. In 1858 he met Rose la Toche, a girl of nine, with whom he fell in love and became increasingly obsessed, and in that year he finally lost his Evangelical faith. In 1860, disillusioned with a society in which poverty was rampant and the poor exploited, he began the first of four essays attacking the science of Political Economy. They were published in book form in 1862, uner the title, Unto this Last. This was followed in 1863 by Munera Pulveris, which puts forward some positive proposals for economic change and reform. In 1869 he became the first Slade Professor of Fine Art at Oxford and in 1871 began writing Fors Clavigera, a series of open letters which draw connections between diverse subjects. He also took part in many practical projects, many of which he directed by way of his Utopian pressure-group, the Guild of St. George. When Rose la Touche died insanse in 1875, however, he began to show signs of mental disturbance and suffered the first of seven mental breakdowns in 1878. In 1885 he began publishing his autobiography, Praeterita. This moving and lyrical book was brought to a premature conclusion by his last and most violent breakdown in 1889. He lived on, withdrawn and inactive, until 1900

98 pages, Paperback

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